There’s also SuperSpeed USB 3.0 and Gigabit connectivity via Ethernet.īest professional DSLR for: Sports/Action/News Crucially however, there is a new A/D convertor which has been built into the sensor which is designed to reduce image noise.įor professionals working out in the field and needing to send shots back to the office or picture desk, the 1DX II is compatible with the WFT-E8 Wi-Fi adapter, while there’s built in GPS which auto updates the clock in your camera depending on your location. It features the same native range as the original 1DX (100-51,200), but the expanded range is a little bigger topping out at ISO 409,600. Nikon hit the headlines when it announced the D5’s ISO sensitivity range (see below), but the 1DX is a little more modest. The camera is compatible with CFast 2.0 cards which gives you a burst of up to 170 uncompressed 14-bit raw format images before the buffer fills – in short, you should have no problem shooting the entirety of the 100m final at 14fps. It can shoot at up to 14fps with full AF/AE tracking, rising up to 16fps when using Live View. With so many big sporting occasions in 2016, the 1DX II has to really deliver when it comes to high speed shooting. Canon says that the 1DX II is designed to replace not only the 1DX but also the video-focused 1DC, so it’s not too much of a surprise to see a heavy emphasis on video specs for the 1DX II. The Nikon D5 has 4K too, but it’s limited to shooting for just five minutes – the Canon bests that attempt with a full 29 minutes and 59 seconds available, making this model more alluring to videographers. Speaking of video, the EOS 1DX II is the first Canon DSLR to feature 4K video recording. Autofocus is designed to work to EV-3, which is useful when shooting in extreme low light. When shooting at f/8 21 of the points cross-type points will be available which is great for shooting at long telephoto lengths. 41 of the 61 autofocus point are the more sensitive cross-type, and 5 of which dual-cross type. The sensor, as well as featuring 61 autofocus points also has Dual Pixel CMOS AF which means focusing is better when using Live View or – perhaps more importantly – when shooting video. This camera is designed to be a real workhorse camera, being great for action, sport, nature, weddings, and so on – in short it doesn’t need the huge pixel count because it’s not particularly designed to be a studio camera. That makes it less than half the resolution of the other camera mentioned in this round-up, the Canon EOS 5DS/R. It comes as no surprise that Canon and Nikon both have new professional DSLRs out in the same year – not only are the two fierce rivals keep to outdo each other but 2016 is a year of big sporting events, most notably the Olympics.Ĭanon’s EOS 1DX II follows on from the original 1DX and features a 20.2 million pixel sensor. Sensor: 20.2MP | Frame rate: 14fps | Video: 4K 60p (up to 29min59s) | Processor: Dual Digic 6+ | Focus Points: 61 point / 41 cross-type | ISO range: 100-51200 (expandable to 50-409600) | Let’s take a look at what those sitting at the top of the DSLR pile have to offer. While it’s true that it’s likely you’ll stick with a brand you’ve been used to – some consider switching for a specific feature, so it’s worth keeping an eye out on what rivals are up to every now and then. All of the models we’ve looked at here are full-frame DSLRs. There’s plenty of choice if you’re a professional photographer when it comes to choosing a camera system.
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